| After the
highly successful but critically slandered string of
Batman films (most notably Batman Forever and Batman
& Robin), director Christopher Nolan helmed the
project to completely start anew, and redefine the famous
Dark Knight. Batman Begins takes the story back before
Tim Burton’s original film, and goes more in depth
on the childhood of Bruce Wayne, his fear of bats and
the death of his parents. The sobersided and weightier
tone first adopted by Burton is again present, crafted
to extinguish the overly colorful and nonsensical design
of Schumacher’s attempts - two films that seriously
hurt the image of what was once a foreboding vigilante
hero.
Young Bruce Wayne loses his parents to a tatterdemalion
thief with an itchy trigger finger. Years later, distraught
at the overpowering amount of crime that blankets his
home of Gotham City, Bruce runs away to lose himself
in inner turmoil, battling prisoners in a remote Asian
camp. Ducard (Liam Neeson) discovers the embittered
Wayne and leads him to the training base of The League
of Shadows, where he undertakes rigorous training from
master martial artist Ra’s Al Ghul (Ken Watanabe)
to become a vigilante warrior who can bring justice
back to the disheveled streets of Gotham.
When Al Ghul demands that Wayne take the life of a
convict without witnessing a trial, the once-confused
man realizes that his mission is to protect the innocent,
not to become an executioner. A fight ensues, resulting
in the training camp burning down, and Al Ghul perishes.
Wayne returns to Gotham City, takes back his father’s
multi-million dollar company and begins to piece together
the image of dread that he wishes to strike into the
hearts of the numerous criminals. Donning custom armor
in the likeness of a giant bat, he descends upon the
underworld of the seedy city and wreaks havoc on crime
boss Falcone (Tom Wilkinson), who orchestrates most
of the unlawful dealings. If that wasn’t enough
for the newfound hero, the League of Shadows makes a
shocking reappearance, and plots to exterminate the
citizens of Gotham, a civilization that has reached
the pinnacle of its decadence.
Christopher Nolan wisely chose to employ the darkest
tone possible with the limitations of PG-13 and a man
in a bat costume. All of the characters take themselves
seriously and there is little comic relief, except in
the form of Michael Caine as Alfred, who appears naturally
witty, and the sarcastic Lucious Fox, played by the
inimitable Morgan Freeman. This grimmer approach dispenses
with the silliness of the most recent Batman films,
and the idea to completely start over allows the redefinition
of some of the greatest of Batman’s villains,
including The Joker who appears in Nolan’s follow-up,
The Dark Knight, in the summer of 2008.
Only two weak links appear in Batman Begins, which
are easily engulfed by the many impressive and superior
ideas that flourish. Katie Holmes’ Rachel Dawes
is a flat character that we can never really get used
to as a femme fatale or as a love interest, and Cillian
Murphy’s The Scarecrow lacks pizzazz. His design
is worthy, but he never reaches a level of sinister
that can match the allure of The Joker or even DeVito’s
imperfect Penguin. And since his scare tactics rely
on hallucinatory chemicals that result in acid-trip
visuals that aren’t really happening, his fearsomeness
is nearly nonexistent.
With an all-star cast and recognizable faces popping
up at every turn, including Gary Oldman, Tom Wilkinson
and Rutger Hauer, Batman Begins is one of the finest
comic-book inspired films to hit the big screen. With
an excellent focus on practical reasons for each piece
of equipment and every trick up Batman’s sleeve,
this superhero has become much more admirable due to
his utter lack of superpowers. With more realism, a
perfectly dark atmosphere, the Tumbler (Batman’s
armored tank that predates the Batmobile), cool stunts
(despite difficult-to-decipher fight scenes) and a few
new surprises not witnessed in the previous four films,
Batman Begins is a refreshing new take on the classic
crime-fighting character.
- Mike Massie
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