| It is no secret that sequels
tend to get progressively worse, and that the third and intended
to be final chapter of the alien trilogy by no means challenges
that trend. Helmed by relative newcomer David Fincher, who
would later make many commercial successes, including Fight
Club and Seven, Alien 3 has many aspects that work and even
more that don’t. A noble effort with partial faithfulness
to the rapidly growing legion of fans that were inspired and
impressed by Ridley Scott's revolutionary masterpiece, and
then by James Cameron's unusually phenomenal sequel, Alien
3 is a chapter of the story that we can take or leave; although
Fincher does attempt to tie up all of the loose ends to a
seminal science-fiction storyline.
Ripley, Corporal Hicks, the demolished remains of Bishop
the android, and the young girl survivor, Newt, drift in deep
sleep in the outer regions of space, narrowly escaping the
alien infestation of the mining colony Acheron. When their
ship is discovered, Hicks and Newt are found dead, presumably
by a fire that mysteriously started onboard. Ripley, alone
and in shock from her harrowing adventures with the aliens,
struggles to cope with her new environment, the prison colony
of Fiorina 9, where groups of murderers and other miscreants
attempt to control themselves in the presence of a female.
But stowed away on the ship appears to have been a facehugger,
which attacks a local dog and the weaponless prison colony
quickly find themselves in the clutches of the hellishly lethal
xenomorph.
David Fincher brings a dark, foreboding visual and atmospheric
tone to the film, and the tattered and rusted locales of the
filthy prison colony actually makes the alien even more menacing.
Providing countless corridors and lightless passageways that
could house the salivating killing machine, Alien 3 brings
new terror to the immediacy of being hunted down one by one.
In addition, the fact that the colonists are just as volatile
as the alien, are unable to formulate plans the same way a
colonial Marine could and have no weapons of any kind, allows
for a wonderfully morbid setup. Viscera and pools of glistening
blood also make frequent appearances and Fincher doesn't shy
away from the gore; an autopsy scene on Newt is thrown in
for disturbing measure, which cleverly uses the “less
is more” idea on violence. Where Alien had its unique
maturity for a horror film, Aliens had a nonstop suspenseful
action, Alien 3 has an unabashed grittiness about it that
reinvents the paranoia and terror of this most fascinating
movie monstrosity.
Where Alien 3 fails is in its unfriendly story. Although
the film tries to tie up all the loose ends and finish off
the trilogy, the lack of likable characters and too-convenient
events hinders its overall appeal. Ripley loses her hair,
adding to her still notably independent character from the
first two films, and has grown a little rough around the edges,
presumably too familiar with the alien and deception from
fellow humans. A supporting cast of misfits and lesser-known
actors comprise the prisoners, and while they adequately portray
ruffians, there is not a likable one amongst them. A theme
that runs through most alien and horror films is that humans
can be just as cruel and inhuman as the creatures they fight.
Early on the audience will probably assume that, once again,
very few will survive. A budding romantic interest between
Ripley and Clemens is even abruptly cut short, and the last
of the surviving prisoners are the ones you don't want to
see live. Abandoning the interesting and identifiable characters
of Hicks and Newt was perhaps a poor decision, considering
the pre-existing following those characters had, provoking
the likeliness that audiences will instead root for the alien.
The makeup and practical creature effects, including the
puppeteering and animatronics are all quite good. The computer-generated
alien however, is so poorly constructed that switching between
practical effects and CG is painfully noticeable and jars
the flow of suspense. With potential from the bleak setting,
and the success of the previous Alien films, Alien 3 falters
on a few too many points to keep it up with the incredibly
high standards of the first two. A decent attempt by director
David Fincher, his supreme consolation is that even more films
followed - and they got exponentially worse, sadly destroying
the once awe-inspiring Alien.
- Mike Massie
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